Sekonic L478D and DR

The new day of light meters has come upon us. For the new age of cinematography, for the HDSLR to the Red and Alexa cameras, the Sekonic Litemaster Pro L-478DR has it all. I remember working on a shoot about a year or so ago with my Sekonic I bought over 5 years ago, saying to my camera op “ I don’t know if what I am getting on my meter is going to be accurate to what we are shooting, I guess the meter is going to be reference for me.” Ok I know what you guys are saying, “ The light meter does way more then you think,” and I totally understand. But when you are perfectionist and also a gadget geek, with using all my gadgets to be a perfectionist... then you will understand. So lets get back to the Pro L-478DR, I thought it was an iPhone attachment and app. But realizing its the new age of light meters, it got me interested. The Sekonic Lightmaster Pro L-478D and the L-478DR the most innovative and advanced  features available to any light meter today. With the touch screen interface you can navigate easily threw menu settings such as F-stop, ISO, Shutter, even selecting what light is on a gel. Just like navigating with an iPhone or Android touch screen. For the motion picture industry this is the most full featured meter today. You can choose your shutter angle and frame ratios for special effects as well the meter is designed for todays camera with selecting 23.976 f/s instead of 24 f/s and so on. The L-478D and DR has a new features that lets you get exact light levels, by going in and selecting the light and what gel it has on. The best part to this meter is that you can program the dynamic range from the camera you are using and also mimics the latitude range on the camera. With only a $300 to $400 range this is a great price for this meter. I Just ordered the Pro L-478D and will have updates on to how it really works. 

Happy Light 

Here is a great video if you don't know how a light meter works, or how helpful a light meter will improve your shots. 

Joker Alpha 1600 HMI

   K5600 has done it again. Creating two new HMI’s that are brighter, lighter and as always a cleaner light than an Arri or LTM’s 1200 HMI, which has heavier ballast even if it’s electronic.  K5600s’ Joker 1600 and Alpha 1600 both are 1600w lamp as well as having an even better ballast then the lower wattage Joker 800.  

Joker 1600 

            Starting with the Joker 1600 par, you would think it works just like any other Joker, but you would be wrong. Using the bare-bulb you will not see any hot spots, with that being said it’s ideal for space lights. The cardinal rule for HMIs and big sores is “never aim a fixture strait down." The Joker 1600 par along with the other Joker’s, you have the option of a Bug-lite, beamer, and the ZOOM Beamer. The ballasts that comes with the 1600 uses less wattage, it runs on 15amp/120 volt circuit as well as its dimmable. Along with being dimmable, the ballasts has a frequency option for high speed shooting.  

alpha 1600

            

          Now talking about K5600 Fresnel family, K5600 have added the Alpha 1600 to their family. It may not be the biggest or brightest in the family, but this should be the big competitor to the Arri and LTM HMI’s. The alpha 1600 is comparable to the 6000w used on the composite quarts reflectors. And again with the cardinal rule for lighting, especially, with a Fresnel you cant point the fixture straight down with out damaging the fixture. But not with the k5600 Alpha 1600, you can point it straight down with out damaging the fixture. The Alpha 1600 also includes a permanent piece of borosilicate that gives crisp and hard shadows. As well as it’s a compact and lightweight.

            Over all these two new revolutionary lights, it’s going to start pushing the limits for other lighting manufactures in the film and television industry.  To get more information from industry professionals for these lights check out. http://www.scribd.com/doc/73942274/k5600newslettersept2011.

Have fun with these new lights.